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The Bureau: XCOM ultimate:
The year is 1962. JFK is president and the Cold War has the nation gripped by fear – but a far more powerful and insidious enemy than Communism threatens America. Only a few known, a top-secret government unit called The Bureau begins the investigation and conceals a series of mysterious attacks by an otherworldly enemy. As Special Agent William Carter, who call the shots, pull the trigger and lead your team in a thrilling third-person tactical shooter in a high-stakes, covert war to set defend humanity. The task of the Bureau is clear – to survive, adapt and overcome to protect the enemy threat to the citizens of the truth.
System Requirements:minimum requirements:
Processor: Intel Core 2 Duo 2.4 GHz / AMD Athlon X2 2.7 GHz
RAM: 2 GB
hard disk : 12GB
Graphics card: ATI Radeon HD 3870 Compatible / NVIDIA 8800 GT / 512 MB VRAM
Additional requirements: Sound Card: DirectX-compatible
Recommended requirements:
Processor: Quad-core processor
RAM: 4GB
Hard disk: 12 GB
Graphics card: DirectX 11 compatible AMD Radeon HD 6950/NVIDIA GeFore GTX 560 with 1024 MB
NOTE: Not compatible with Intel HD 3000 integrated graphics
steam account for game Activation and installation required
The Bureau: XCOM ® ultimate ™
© 2008 – 2013 Take-Two Interactive Software, Inc. Developed by 2K Marin. XCOM, the Bureau: XCOM ultimate, 2K Marin, 2K Games, Take-Two Interactive Software and their respective logos are trademarks of Take-Two Interactive Software, Inc. All rights reserved. All other trademarks are the property of their respective owners.
Q & A with …
Audio Director – Michael Kamper
one. What was your inspiration for this new drastic departure from the traditional XCOM gameplay?
The main inspiration was to move away from the player conduct of combat operations are removed from the squad (feeling like a commander watching the action through a live feed from a drone Predator, or look at the fight read outs from the relative safety) and explore what it would feel like to be a battlefield commander. onto the field to be with the team, that life and death make decisions under fire It is this aspect of the XCOM universe that we explore, and give the fans wanted. – Morgan Gray
2 Try to keep similar topics (Enemy Unknown had a very high-tech feel)?
What we share in common with all the XCOM games, our focus is on gameplay on smart tactical teamwork focused against a technologically and numerically superior enemy. We also focus on the concept of starting with real conditions (in our case in the 60s) and through the course of the game access to higher tech, more amazing tools / equipment / weapons, so that at the end of the game, is not only the player victorious over the aliens, but XCOM itself has. eye to eye with them in terms of technology We are hi-tech, but in a Apollo13/Right Stuff manner, as we are a contemporary history. – Morgan Gray
3 Have they had to make adjustments for the change in time?
If the history of the game postponed until the early 1960s, it opened from the 1950s a lot of ways to illustrate the incredible technology and aesthetics of the time. The United States was with her pants with the launch of Sputnik in the late 50′s left. By 1962, the Space Race in the United States was at its peak. Innovation and technology development was moved at a phenomenal rate. We wanted to make something that amazing technology and the atmosphere to the Bureau. Occupies most in the huge screen and rows of computers period in XCOM operations – XCOM base itself was heavily influenced by the Mercury space program of NASA era. We have also fashioned from vehicles and flying gear, what is seen in the Skunk Works test pilot program.
On the civilian side of things, has offices on the elegant, straightforward look of the 60s in the TV show Mad Man popularized. Out in the world, we pushed the view from the curves of the 50s to the straight lines and geometric shapes through the mid-century modern googie movement shows. The affected everything from vehicles to buildings and signs. The general feeling creates the feeling that a lot more space age and overall much more befitting an XCOM game was. – Jeff Weir4 What makes the art style XCOM unique?
There are two primary visual themes that the Bureau set apart. Primarily, it is the time. The mood of the 1960s, the tone from the get-go. Whether it’s William Carter slim suit and dapper fedora or the clouds of smoke pooling in the air above the modernists sets mid-century, it is very clear, that is not a modern era game. The second major standout is pushed against ultra-advanced alien bodies of invading Outsider war machine, the high contrast juxtaposition of the 1960 period America. It is a stunning blend of old and new, familiar and strange. It is the retro atmosphere set against the futurism that line the look and tone of the office itself makes. – Jeff Weir
5 If the music is to be created in the new game from the same composer as Enemy Unknown?
No, but from the beginning, I wanted the music of The Bureau to adjust the time and mood we were trying to establish with the art and story. I wanted it to have that 60 FBI gangbusters feel, because that’s essentially the kind of people that you play, interacting with, and what into battle. But I also wanted the score to be similar to the science fiction films of the ’50s and ’60s. The two film music that really fit what I was looking for were both by the great film composer Jerry Goldsmith. The first was for 1950 based on LA Confidential and the other was the original version of the 1968 Planet of the Apes. Given the style of these two scores, I knew what I wanted was right in the wheel house Garry Schyman, who had done such an excellent job on the Bioshock games. Garry and I worked the most important issues for the score and then Garry gave an incredible score for us. It produces almost 80 minutes of music for the office, which was recorded at the Clint Eastwood on stage much Warner Brothers in Hollywood. I feel the score really gives the Bureau a unique identity, and I feel it really sets the tone of the world that we are trying, the players have experience. – Michael Kamper, Audio Director
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